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WORKS CITED

Berger, Glen. (2003). Afterword: Underneath the Lintel. New York: NY, Broadway Play Publishing, Inc.

Cook, D. (2003).  A History of Narrative Film.  4th Edition. New York, NY: W. W. Norton & Company.

Copeland, R. (2002, Spring) “Merce Cunningham and the Aesthetic of Collage.” The Drama Review, 46(1). 11-28. The MIT Press.

John, B. Gesamtkunstwerk.  http://www.see-this-sound.at/print/41.

Koss, J. (2012).  “Modernism After Wagner.”  Leonardo Reviews Quarterly, 2(01), 416.   

Lerner, F.  (2005, Spring). “Foundations for Design Education: Continuing the Bauhaus Vorkurs Vision.”  Studies in Art Education, 46(3), 211-           226.

“Multimedia: From Wagner to Virtual Reality.”  ArtMuseums.net.  

Nattiez, J. (1993). Trans. Stewart Spencer. Wagner Androgyne: A Study in Interpretation. Princeton: Princeton University Press.

Roberts, D. (2011). Modern German Letters, Cultures, and Thought: Total Wok of Art in European Modernism.  Ithaca, NY: Cornell University             Press.

Shaw-Miller, S. (2002). Visible Deeds of Music: Art and Music from Wagner to Cage.  New Haven, CT: Yale University Press, 2002.

Tarkovsky, A. (Dir). (1979). Stalker. [Motion Picture]. Mosfilm.

Stiehl, P. (2010, Spring). “Because She Said So…: How Twyla Tharp and Movin’ Out Legitimized the ‘Dansical’ as a Choreographic                                Domain/Diversion.”  Journal of American Drama and Theater, 22(2). 

Tatlow, A. (1978, Summer). “Gesamtkunstwerk.” Monatshefte, 70(02), 171-176. University of Wisconsin Press.

Von Haken, B.  The Yellow Sound.  http://www.see-this-sound.at/works/164.

Tharp, T. (2011)  “Creativity: Beyond the Box.”  Bucknell University, Lewisburg, PA. Lecture.  

Wagner, R. (1993)  Trans. and Ed. W. Ashton Ellis, The Art-Work of the Future, and other works. Lincoln and London.

Wright, C &Simms, B. (2009). Music in Western Civilization.  Belmont: Schirmer.

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